Nashville at Night

Place me, from the attached photo, on the harbour at sunrise with the Statue of Liberty across flat water and the Manhattan skyline catching the first light, in a casual jacket with the wind in my hair. Keep my face the same. A pink and gold sky, gentle haze, a 35mm travel photo look. Vertical 9:16.

From my attached photo, put me in Times Square at night, standing among yellow cabs and crowds under huge billboards, with rain on the road reflecting red and blue light. Keep my face exactly as is. A dark trench coat and an umbrella, steam rising from a street grate, cinematic street photography at 35mm. Vertical 9:16.

Stand me on a coastal path above the bay with the Golden Gate Bridge rising through morning fog and the sun just breaking through. Use my attached photo and keep my face unchanged. A windbreaker and jeans, cool soft light, the orange bridge against pale grey, long lens compression. Vertical 9:16. Damp air beads on my sleeves, gulls cross the fog, and the bay below is just visible.

Show me on a palm lined Los Angeles boulevard at golden hour, leaning against a classic convertible, with hazy mountains at the end of the street. Use the attached photo, keeping my face exactly as photographed. Sunglasses pushed up, light summer clothes, a warm lens flare, 50mm lens. Vertical 9:16.

Using my attached photo, place me on the Las Vegas Strip at night in a sharp jacket, with blazing signs and neon streaking down the wet road behind. Keep my face exactly as it is. Pink, blue and gold light across my face, shallow depth of field, passing cars as light trails. Vertical 9:16. The street is busy but blurred, and I stand relaxed with one hand in a pocket, looking confident.

Put me on Miami Beach on a hot afternoon in bright resort clothes, with pastel Art Deco fronts, palms and turquoise water behind me and a colourful convertible parked at the kerb. Use my attached photo and keep my face unchanged. Hard bright sun, saturated colour, 35mm lens. Vertical 9:16. A shop awning in mint and pink, a few palm shadows across the pavement, and a relaxed walking pose.

Set me at sunrise in front of the Lincoln Memorial, with the reflecting pool behind and flags lining the National Mall, in a smart coat. Use the attached photo and keep my face exactly as photographed. Soft peach light, mirror reflections in the water, a few early joggers far away. Vertical 9:16. The Washington Monument is faint in the distance, and I stand calmly with my hands in my coat pockets.

From my attached photo, place me on the Chicago lakefront with the skyline standing behind, big white clouds and the lake gone flat and silver. Keep my face the same. A windy light jacket, late afternoon sun, a metal rail along the walkway, 28mm lens. Vertical 9:16. The tall glass towers are sharp and the water holds a long reflection, with a few sailboats far out on the lake.

Take my attached photo and put me crossing the Brooklyn Bridge on the pedestrian walkway at golden hour, with stone arches and steel cables around me and lit Manhattan towers beyond. Keep my face exactly as is. Warm side light, casual city clothes, a few walkers blurred, 50mm lens. Vertical 9:16. Gold light rakes across the wooden boards, and I glance back over my shoulder with a relaxed smile.

Show me, from the attached photo, on the Seattle waterfront with the Space Needle behind, ferries on the water and moody Pacific Northwest weather. Keep my face exactly as photographed. A raincoat and beanie, a coffee cup in hand, grey sky with one bright break, damp boards underfoot, 35mm lens. Vertical 9:16.

Put me in a colourful theme park with a fairytale castle's towers behind and fireworks starting overhead, in casual summer wear holding a balloon. Use my attached photo and keep my face unchanged. Bright saturated colour, a dusk sky, a happy crowd blurred behind, no cartoon characters, 35mm lens. Vertical 9:16.

Using my attached photo, place me in front of the Denver skyline with the snowy Rockies behind it under a clear blue sky, in a casual outdoor jacket. Keep my face exactly the same. Crisp mountain light, a sharp horizon, a hint of autumn trees at the edge of frame, 35mm lens. Vertical 9:16. The glass towers are crisp and small below the peaks, and I stand relaxed with my backpack on one shoulder.